Featured essay · Sri Thyaga Brahma Gana Sabha, Vani Mahal
Shri Gananatham Bhajare
An exploration of Muttuswami Dikshitar's divine compositions on Shri Mahaganapati
How does one comprehend a nameless, formless, all-pervading Nirguna Brahman? This lecture-demonstration traces Dikshitar's path to the formless through form — from Vatapi Ganapatim in Hamsadhwani to the thirty-two forms of Mahaganapati.
- 01The Path to the Formless Through Form
- 02Vatapi Ganapatim: A Masterpiece in Hamsadhwani
- 03Muladhara Kshetra: Sacred Geography
- 04The Four Levels of Speech and the Pranava
- 05Musical Innovations in Vatapi Ganapatim
- 06The Thirty-Two Forms of Mahaganapati
- 07Ucchishta Ganapati: The Rahasya Vidya
- 08The Union of Philosophy, Devotion and Music